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  • All Nam June Paik Exhibition 《More than 30 minutes》 전시중
    • 장소/ Nam June Paik Art Center 1F
    • 기간/ 2018.02.15(목) ~ 2018.09.26(수)

    More than 30 minutes is an exhibition that sheds new light on Nam June Paik's video art in the context of the Counterculture that swept America and Europe in the 1960s.

  • LOOP Festival 《Radical Video》 종료
    • 장소/ Museu Nacional d’Art de Catalunya
    • 기간/ 2017.05.18(목) ~ 2017.06.18(일)

    Radical Video represents the combined effort to create new artistic representations, for the artists, producers, and audiences. They personify the way to defy the political gravity by demonstrating new possibilities of embodied relationships between humans and technology. Nam June Paik once confessed that more and more he worked with TV, he thought of Neolith. Hence, our focus on Radical video-free and nonlinear art.

  • Nam June Paik Exhibition 《Extraordinary Phenomenon, Nam June Paik》 종료
    • 장소/ Nam June Paik Art Center 1F
    • 기간/ 2017.05.02(화) ~ 2018.02.04(일)

    Nam June Paik ruptured the authoritarianism of music and the auteurism of visual art, by establishing a new relationship with the audience.

  • Nam June Paik Exhibition 《Point-Line-Plane-TV》 종료
    • 장소/ Nam June Paik Art Center 1F
    • 기간/ 2016.07.05(화) ~ 2017.04.23(일)

    Point-Line-Plane-TV is an exhibition exploring Nam June Paik’s canvas including intermedia such as television, score, film, and video, in notion of plain. Specially, many drawings and paintings by Nam June Paik will be presented. Through Paik’s works, various images shown dynamic, improvisation, and possibility will be founded.

  • Intermedia Theater 종료
    • 기간/ 2015.06.27(토) ~ 2016.01.17(일)

    (Then) Some specific frustrations caused by cybernated life, require accordingly cybernated shock and catharsis.
    -Nam June Paik

  • TV is TV 종료
    • 장소/ NJPAC 1F
    • 기간/ 2015.01.29(목) ~ 2015.06.21(일)

    Nam June Paik brought new possibilities out of TV for the purpose of using TV as a medium for art. To him, TV was more than a mere a device for receiving information; rather, it was an instrument for sensual experiment, a channel for real-time intervention, a material for producing robots and musical instruments, and a broadcasting environment to approach a number of people at the same time. 《TV is TV》 presents Paik’s these diversified usages of TV along with his life’s chronicles so that the audience may have a clear comparison between them.

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