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  • Education New perspectives on Lee, Sang’s literature
    • 장소/ Nam June Paik Art Center, Memorabilia (2F)
    • 기간/ 2009.11.20(금)

    Lecturer / Youngmin Kwon

  • Education In Memoriam : Performances by Joseph Beuys and Nam June Paik
    • 장소/ Nam June Paik Art Center
    • 기간/ 2009.11.19(목)

    Joint performances by Nam June Paik and Joseph Beuys are some of the most important (Fluxus) events. Highlight was their concert on two pianos at the Duesseldorf Academy, organized by René Block in 1978. In the 1960s and 70s, René Block organized more performances by Joseph Beuys or Nam June Paik than anybody else. In […]

  • Event Homage to Nam June Paik 종료
    • 장소/ NJP Art Center, Memorabilia (2F)
    • 기간/ 2009.10.30(금) ~ 2009.10.31(토)

    Artist Philip Corner (composer, action musician) Over Music : NJP Art Center Experimental Festival “In a traditional concert, sounds move and the audience remains seated” In “Symphony for 20 rooms”, The sounds move, the audience also moves. In my “Omnibus music No.1 (1961), sounds sit down, the audience visits them. In “Exposition of Music, sounds […]

  • Education Good Morning, Uncle Nam June Paik! 종료
    • 장소/ Container at the cafeteria of Nam June Paik Art Center
    • 기간/ 2009.10.16(금) ~ 2009.11.08(일)

  • Education Nameless Science – an exhibition and symposium investigating artistic research
    • 장소/ Nam June Paik Art Center, Education Room (B1)
    • 기간/ 2009.09.30(수)

    Date 2009-09-30 Lecturer Henk Slager Place Nam June Paik Art Center, Education Room (B1) *Date : September 30th, 2009, 5:30pm – 7pm As it prepared to open to the public, the Nam June Paik Art Center benefitted from informal workshops by several international and national academics and art practitioners. These sessions included talks by Professor […]

  • Event From DADA to Neo DADA in Music
    • 장소/ Nam June Paik Art Center
    • 기간/ 2009.09.26(토)

    Artist Sukhee Kang, Suhyun Cho, Jinkyung Kim Over Music : NJP Art Center Experimental Festival “In a traditional concert, sounds move and the audience remains seated” In “Symphony for 20 rooms”, The sounds move, the audience also moves. In my “Omnibus music No.1 (1961), sounds sit down, the audience visits them. In “Exposition of Music, […]

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